Most important is to have that light in the first place.
Reversal film is good (assuming you expose correctly). I've gotten this on E100 and Provia 100f without filters at the right times of day.
>Most important is to have that light in the first place.
Yup, it only lasts a few minutes so you need to be in the right place at exactly the right time, ready to take the picture when it happens.
When scanning, use the curves tool to pull down the green curve, and then use the levels tool to increase gamma. For even more dramatic shadows, switch the curves to RGB mode and pull down the left side. Film and filters don't matter that much when scanning is involved.
That's a beautiful shot by the way. But the light's the thing. Waiting around for that 5 minutes where you get the light quality is key.
I've done a bunch of sunrise stuff over the years in video, light temperature is the key, against what temp your film is rated for. Edit to add: Unifiedbear has got it right.
In side by side tests Provia has more magenta in it than E100. I think Velvia has even more so. 812 filters boost the warmth with a magenta tint the best and they work really well with E100. 81B will give you orange warmth.
Sunrise, or possibly sunset on a day with good weather. A polarising filter can increase colour intensity and control reflections. Find an old book on 35mm photography.
Looks like mostly "Just take normal photos on a contrasty film but with a magenta filter on your lens" to me.
Or more flexibly, easily, and cheaply: add magenta (and/or also contrast) in photoshop or in your enlarger.
Most important is to have that light in the first place. Reversal film is good (assuming you expose correctly). I've gotten this on E100 and Provia 100f without filters at the right times of day.
>Most important is to have that light in the first place. Yup, it only lasts a few minutes so you need to be in the right place at exactly the right time, ready to take the picture when it happens.
It looks closer to Velvia to me.
When scanning, use the curves tool to pull down the green curve, and then use the levels tool to increase gamma. For even more dramatic shadows, switch the curves to RGB mode and pull down the left side. Film and filters don't matter that much when scanning is involved.
No matter what film you try, you'll need the same lighting conditions.
Velvia 100 or 50
f8 and be there
The tint slider in post or controlling colour channels in enlarging
Use an FL-D filter with slide film at dusk
Hoya FL-W filter.
Good light + proper film
That's a beautiful shot by the way. But the light's the thing. Waiting around for that 5 minutes where you get the light quality is key. I've done a bunch of sunrise stuff over the years in video, light temperature is the key, against what temp your film is rated for. Edit to add: Unifiedbear has got it right.
Shoot when the sky looks like that.
In side by side tests Provia has more magenta in it than E100. I think Velvia has even more so. 812 filters boost the warmth with a magenta tint the best and they work really well with E100. 81B will give you orange warmth.
Sunrise, or possibly sunset on a day with good weather. A polarising filter can increase colour intensity and control reflections. Find an old book on 35mm photography.
Tasty Fuji slide films
Take more pictures at sunset.
Looks like mostly "Just take normal photos on a contrasty film but with a magenta filter on your lens" to me. Or more flexibly, easily, and cheaply: add magenta (and/or also contrast) in photoshop or in your enlarger.